• A scheduling conflict meant that I had to switch out hip hop for jazz this week. The following end-of-class convo sums up the experience nicely:

    Classmate # 1: So, are you going to come back next week?

    Me: Um…

    Classmate #1: You should. You’ll pick it up eventually. E is an awesome teacher.  And the rest of us don’t mind.  It’s not like some classes where everyone is super competitive.

    Classmate #2: There are adult classes like that?

    Classmate #1: Oh, for sure. Everyone wants to be the best and pick up the choreography the fastest. And if you’re slow or no good, they…

    Me: Shun you?

    Classmate# 1: Yeah, pretty much.

    Me: Awesome.

    And then I ran out the door and all the way home.

    3024980115_2152bcc512

    Photo by Emily’s mind

    While hip hop was all about bringing the sexy, this weird ballet/jazz hybrid hinges on being graceful. Assemblie.  Attitude. Chasse. Jete. Passe. Plie. Kill me now.

    At one point, I looked over at the mirror to find that I was standing there with my face all scrunched up, biting my lip and making my patented Precious Moments expression*. God, why am I not learning to box like a normal rageaholic instead?

    The one bright spot being that I’ve finally gotten Forever out of my head; it’s been replaced by Keri Hilson’s Knock You Down.

    Definitely disaster over dessert, though.

    *Can’t remember who first noticed the resemblance and coined this descriptor, but I find it hilarious and highly accurate.

  • I recently wrote about how I came to discover the work of Dr. Betty Dodson and the universality of her advice to “Get on top and run the f*ck” as a general life strategy. Just for kicks,  I approached Dr. Dodson about doing an interview more in line with her area of expertise, sex-positive activism and advocacy, and she generously agreed to answer a few questions in her typical (and totally refreshing) frank and outspoken style.

    2960782975_48e9ea46caPhoto by Leanne Surfleet

    How has the public discourse about sex (everything from reproductive rights to sexual pleasure) evolved over the course of your career? In recent years, do you think it’s been moving in a more open or more repressed direction?

    The public discourse about sex is either blathering on and on about “abstinence only” or promoting excessive, pornified crap about “mind-blowing orgasms.” While sex is used to sell everything, sweet little is being done to promote sexual skills that would actually benefit people. I’d say the public discourse is flashier, but people are more repressed, unfortunately.

    How would you explain the co-existence of the “voluntary” hyper sexualization of young women (i.e., sexting, risque photos posted to myspace or facebook, etc.) and the seeming ignorance  of these same women about the basic nature and functioning of their bodies and their own role as autonomous agents of their own sexual fulfillment? What explains this dichotomy?

    Thanks to Sex and the City, too many young women are more interested in how they look rather than how much they enjoy sex. American women and girls are more egocentric and narcissistic than ever before, according to extensive research done by two leading psychologists. We have their findings posted on our website.

    How integral is a sense of sex positivity to feminism?

    The avoidance of sex with the second wave of feminism nearly ended our movement, especially when they went after men’s porn. I’m hanging in there and beating the drums about how we gotta make feminism fun and orgasmic or we will lose each younger generation that comes along. That’s what DodsonandRoss.com is aiming for: F*cking Like a Feminist! Check it out on our website.

    How integral is sex positivity to being a happy, grounded, productive individual, male or female? How does a negative or fearful attitude about one’s sexual nature affect other areas of a person’s life?

    It’s always been my position that people need to master their personal sex lives by at least being successful with masturbation. Otherwise, they will be ruled by creepy feelings of sexual inadequacy. Once we understand how to have our orgasms, we can get on with other aspects of our lives.

    If you had to give a 15-second sales pitch on the benefits and importance of masturbation, what would you say to sell it?

    After a lifetime of writing, drawing, filming, teaching, and liberating self-sexuality, I’d say that masturbation is the foundation for all of human sexual activity. That’s where we all must begin and happily end.

    And, on a lighter note, any plans to start printing “Get on top and run the f*ck” tees? I have a feeling they’d sell like hot cakes.

    Carlin and I have discussed this before. We have a bunch of ideas for tees. Stay tuned.

  • As promised, here is the follow-up to yesterday’s post, wherein Lisa Coulson generously shares the lessons she’s learned from launching her own Etsy shop.

    So you have more macramé plant holders than you know what to do with?  You’d like to sell some to support your expensive steamboatin’ habit? I present a handy guide to help you sell your wares online so you can go down the Mississippi in style!

    tote

    Photo Courtesy of Panda With Cookie

    1- Photos! Photos are the most important part of selling online other than the product. You must have good photos. You don’t need a $1600 camera and a large photo studio, but you do need a clear picture that shows what you’re selling. If it is blurry or out of focus, people will not be interested. Use that macro setting for detail shots! Read your camera manual to figure out how to use your camera to the best of its ability.

    2- Product volume! You need product to sell. If I have three plant holders listed in my shop, there isn’t much to choose from. You don’t need to wait until you have 93 made, but you do need to increase your inventory after opening with just 15. The more items people have to choose from, the more likely you are to strike someone’s fancy with that goldenrod and avocado tassel hanger.

    3- Descriptions! You need to describe your item well. I sometimes click on a product listing and it says nothing more than made of yarn. I personally include measurements in my listings and make sure materials are listed as well. A brief something about the item is also helpful – why you made it, what inspired it, what it can be used for (doubles as plant hanger and hat!) and anything else that suits your personality.

    4- Promotion! You must promote online if you have an online business. Get thee to facebook and myspace and twitter and put yourself out there. And don’t just promote your shop. My least favorite twitterers are the ones who only post links to their shop, eight times a day. Yes, do promote, but also use the venues to get to know people and make friends.

    5- Look at trends! I am not a fashionable person in the least and don’t know what’s hot from a macramé plant holder, but it is wise in business to keep up with what the kids these days are talking about as it relates to your product. If hemlines are up or down is not applicable, but if the plant trend is for hanging with chunky wooden beads, then you need to know it. Pay attention to the seasons and post appropriate wares when they change. The same goes for holidays. There’s certainly no need to jump on every bandwagon, but if it strikes your fancy then go for it. Mustaches are big on etsy lately, which I got a kick out of, so I made a mustache pin. And they’ve sold well.

    6- Work! As I said before, it is work to run a business. As a hobby you can list things when you have time, but as a business you need to check in every day, more than once. It isn’t always fun taking pictures and measuring and coming up with new and interesting ways to describe macramé, but it must be done. Take the time to research things you have problems with. If your photos just aren’t well lit, search online and find some ways other people have dealt with it. There is a lot of advice out there, and you just have to find it. Ask friends for an honest critique and appreciate it when they give you feedback. When you are floating down the river in your luxury cabin, it will have all been worth it.

  • Rogue Models highlights interviews and discussions with diverse twenty and thirtysomethings who are putting their money where their mouths are when it comes to pursuing happiness and personal/professional fulfillment on their own terms. This is the third installment in the series.

    It’s not a word I throw around lightly, but Lisa Coulson is downright delightful. Ditto, her whimsical handcrafts. Lisa and I know each other through the vast vegan underground (psst, we’re everywhere)  and when GenMeh was but a gleam in my eye, I extracted a promise from her to do an eventual guest post about on the risks and rewards associated with being a working artist and launching one’s own craft business.  You can read her thoughts below.

    greenmonster

    Photo Courtesy of Panda With Cookie

    Hello,  gentle reader. Allow me to introduce myself. I know we will be the best of friends. I am an independent contractor in the art world and a small business owner in the craft world with an online Etsy store called Panda With Cookie. This means I assist artists in their studios in order to pay the rent and work on my own things in my free time.

    I began in the fall of 2008 after the realization that the art world and I are not the most compatible and I would need to find another creative outlet for my own work. I’ve always liked the idea of running my own business and friends had, for a while, been encouraging me to open an online shop for the random things I make. Being an independent contractor means no set hours, no job security and no health insurance.  Running a small business as a side gig to supplement my income seemed like a good idea.

    I did a little research, made 12 items and listed them. The sales, they did not exactly pour in. As I learned more and got advice, my shop slowly improved. An online store means a lot of online promotion, so I spend a fair amount of time on the computer not making anything. I have to be a photographer, so I can post appealing pictures of a wee monster so you’ll want to buy it. This is perhaps the most important thing and one that is difficult when living in a small NYC apartment with poor light sources. I have to write charming descriptions of my tote bags so you can’t live without one. I have to twitter and facebook and blog to keep a presence. And then I have to make the products, so I can promote them in the first place. I pay to do an outdoor fair and then hope the weather cooperates and we aren’t rained out (many fairs do not give refunds). I am a single lady (put your hands up indeed, Beyonce), so I don’t have anyone to catch me should I stumble and fall.

    In late winter I begin to think of the possibility of turning my side business into a full time gig. I started doing my first live in-person shows and fairs in May and have been trying to book as much as possible through the holidays. I live in a large city with good public transportation, so of course I don’t have a car. Guess what would be extremely helpful in hauling about bins of monsters and folding tables? A car. Sure I can get a cab, but I can only spend so much before all profit for the day is gone. So I usually pack up my hand truck and walk through the streets of Brooklyn if possible.

    I have gotten a few comments about how lucky I am to be living the dream. Working in art studios! Making your own stuff! Such fun! Gentle reader, I assure you, I am not living any dream. Working on a business is just that: work.  As sole proprietor, employee and promoter, all of the work is on my shoulders.  My business does not pay the bills, and certainly not in NYC, so I create for it when I can at night or when I am out of a job for a month and living on savings.

    I am pleased to be moving toward what I want to do, but as with most things in life, there are both good and bad aspects. Yes, I get to create for a living. I am using my MFA.  And it is a pleasure to sell to an eight year-old whose face lights up when they see my work. But I also worry constantly about money and making ends meet. I am currently trying to figure out if a move to a more affordable location will eventually lead to supporting myself with my craft. To me that isn’t living the dream. It’s just living and struggling to do it my way.

    Tune in tomorrow for an exclusive Panda With Cookie tutorial on the ins and outs of setting up an Etsy shop!

  • So I promised an update about Project Dance 2009…

    And I bet you think this is going to be one of those demure wallflower gets talked into taking a pole dancing class by her gregarious best friend and while hesitant at first, eventually gains confidence and connects with her inner stiletto-lovin’ sex kitten tales, right? Well, get real y’all. Screw that patronizing BS. Not every story needs a  Slutty Sandy from Grease ending, ya know? And who you callin’ demure or a wallflower?

    grease

    “Tell me about it, stud.” Except, please don’t, ‘kay?

    The first problem was figuring out what to wear. Workout gear? Clubbing clothes? The former I own (albeit in all their mismatched glory), the latter I’ve seen on tv, in movies and in my sisters’ closets. I settled for one of the two hoodies in my wardrobe, a pair of gray capris and sneakers. I realized as soon I stepped through the studio door that I’d made the wrong call. Wall-to-wall lululemon and perky ponytails. There were legwarmers, people. LEGWARMERS. All of my classmates seemed A) to already know one another and B) to have an obsession with So You Think You Can Dance? that bordered on the disconcertingly fanatical. The class before us was just finishing. They were rehearsing some sort of interpretative contemporary dance to Duffy’s Mercy. It didn’t appear to be that difficult, or so I told myself.

    Our instructor had a vintage Tawny Kitaen look. I don’t think I’ve ever described anyone as having a mane of hair, but she definitely did. She also had moves. Serious moves. Moves that would have put Fly Girl era J-Lo to shame. And to varying degrees, so did everyone around me, even the woman old enough to be my mother.  As soon as Pitbull’s Hotel Room came blaring out of the studio speakers, I realized I was in way over my head.

    I had been expecting tough hip hop. All bouncing shoulders and crossed arms. Maybe some uprocking? But this was sexy hip hop. Like that thing where you stick your hip out, pop your chest and roll your neck all in one fluid movement? And that other move where you bend all the way over with your hands on the floor and then jump up and swing your hair around (there might even be a pelvic thrust in there somewhere)? Things were about to get ugly. Grapevine, tutting, ski jump, synchronized locking. I realized very quickly that I dance like Tina Fey in character as Sarah Palin, as styled by Mary Ann from Gilligan’s Island. Each spin we did made me progressively dizzier until I was lurching into the wall. I managed to kick over the water bottle belonging to the nice lady standing next to me at least four times. And forget about mastering even the simplest the step-ball-change sequence. I focused on just avoiding crashing into the row of dancers  in front of me.

    But my inability to grasp even the simplest sequence (well, not entirely true, I can do that pretending your heart is coming out of your chest thing adequately) wasn’t just a result of a lack of  physical musicality. I think it also had a lot to do with the fact that I relate to my body in an almost exclusively utilitarian way. I feed it, clothe it, exercise it, shower it fanatically and refuse to think or say negative things about it. But I don’t really connect with it. I’m not even entirely sure I could pick it out of a line-up of similarly built (clothed) forms. My body is more or less a vehicle for powering my super awesome (and totally seductive in their own right) brain and personality around. I take conscientious care of it because I want it to continue serving this function to its fullest capacity for a damn long time. Even the kind of sports I prefer tend to be ones that can be routinized and scientifically analyzed – running, weightlifting, archery. In other words, these hips don’t know from swivelin’, dig?

    So I’m cerebral* (in a totally adorable way, natch) and until now I’ve always felt an unqualified pride in this fact, so it’s strange and humbling to realize that there’s a downside to living entirely in your head. I’ve spend so many years  successfully cultivating a body image that doesn’t rely on being concerned with Cosmo-approved standards of female desirability that I’ve completed divorced myself from my corporeal side and the notion of my body’s capacity for creative physical expression.  On one hand, I wouldn’t trade my healthy self-image for the ability to bust a move or execute an arabesque, but on the other, it’s frustrating when I can’t seem to make my limbs even approximate the movements that come effortlessly to everyone else in the room. And it’s not even a function of self consciousness; I don’t care if I look silly (Exhibit A: my ill-fated attempt to learn to figure skate), but I do care that I keep mixing up my left and right and coming dangerously close to elbowing my neighbor in the head on multiple occasions.

    I spoke to the instructor after the class was over and asked her if there was, perhaps, a more accessible (read: remedial) option on the schedule. She suggested I check out the other hip hop class on offer, billing it as a slower, more lyrical and less crowded choice. I thought she might recommend that I switch to jazz or even belly dancing (over my dead, decidedly non earth mother body), but, in hindsight, I’m kind of glad that she didn’t. I’m not one to back away from a challenge (or a lost cause, but we won’t mention that part, will we?) and hip hop presents an even bigger (physical and intellectual) challenge than I had originally bargained for. I owe it to both my inner Margaret Mead and my inner Twyla Tharp to give it at least one more chance to determine if I can silence my mental monologue long enough to eventually master the shoulder roll.

    Now if I could only find a way to get Chris Brown’s Forever out of my head. Seriously, 36 hours and counting.  So much wrong.

    * To wit, while everyone else is debating whether we should criss-cross our legs to the right or to the left, I’m trying to decipher the lyrics of the soundtrack to our routine. Seriously, the Holiday Inn? He’s shouting out a chain motel? And egg whites? Why is he singing about egg whites? Oh, wait. OMG, THIS IS NOT ABOUT BREAKFAST, IS IT?!

  • “How about Wednesday night?”

    “Can’t. I have a thing.”

    “What kind of thing?”

    “Just a thing.”

    “Oh, a date thing?”

    “No…a dance class thing.”

    Awkward pause.

    “You’re taking a dance class? Really? Um, what kind of dance class?”

    “I don’t want to talk about it. You’ll laugh.”

    “I promise I won’t laugh.”

    “Okay, hip hop.”

    2922136304_db554304f3Photo by William Hamon (aka Ewns)

    Cue a solid five minutes of laughter bordering on an asthma attack. I’ve had a variation of this conversation (always with the laughing) with everyone to whom I’ve admitted my plans. Heck, if you know or have ever met me offline, I’m sure you’re laughing right now, too.

    I understand the credulity. Not only do I abhor dancing (I may or may not have camped out in the ladies room during my sister’s wedding reception, thereby forcing my mother  to slow dance to that Armageddon song with my assigned groomsman in my place), I lack any innate sense of rhythm and I’m possibly the squarest person I know. But I’m in the mood for a challenge, a fall project to shake my routine up a bit. Of course  I could have opted for printmaking, digital photography or learning ASL, but where’s the out-of-character silliness and potential for self-deprecating anecdotes in those choices? Nope, go big or go home. Sure, popping and locking isn’t on par with say, polyphasic sleep experiments, but we all have to start somewhere.

    And really, what I fear even more than attempting to move my body in time to music is the specter of being one of those people who never takes risks, never gets outside of their comfort zone and can never quite seem to put his/her money where his/her mouth is. I refuse to be that person and if getting down to some Kanye helps to prevent that, well, a girl’s gotta do what a girl’s gotta do, dig?

    FYI, I wrote this before last night’s class. Tune in tomorrow for all the post-class gory details. Hint: It involves someone named Pitbull and his love for the Holiday Inn.

  • Rogue Models highlights interviews and discussions with diverse twenty and thirtysomethings who are putting their money where their mouths are when it comes to pursuing happiness and personal/professional fulfillment on their own terms. Today’s guest is Adam Roberts, the brains and personality behind The Amateur Gourmet.

    The Amateur Gourmet_1253045492412

    I’ve been reading The Amateur Gourmet for years and have watched Adam Roberts morph from a law student to a playwright to a published author and most recently, a Food Network e-personality. All things considered, his site should hold little interest for a vegan with celiac who has only been to NYC once and could cheerfully eat the same rotation of low-maintenance staple meals for weeks on end. But Roberts has a voice, a very strong, very readable voice and a knack for crowd-pleasing antics such as videos starring his cat, posts in the form of comic strips and highly topical baked goods. Oh, and he digs musicals. That might be the deciding factor.

    P.S. It took all my willpower not to title this Food for Thought. Must not be a cliche whore. Must resist.

    Of the professional or personal opportunities that you’ve experienced in the last few years, which ones would you directly attribute to blogging? Do you actively pursue new ventures (for example, the FN collaborations) or do people tend to approach you?

    Almost everything that’s happened to me in the food world has happened because of my blog. For example, the Food Network connection was forged when I went out to dinner with my parents to a restaurant called Anthos. The next day I noticed that I was getting traffic from the Food Network website. When I clicked through, one of their bloggers named Lia had written that she’d spotted The Amateur Gourmet eating dinner at Anthos the night before. I wrote her an e-mail, she asked if I’d be interested in blogging about The Next Iron Chef for foodnetwork.com, I said yes, and that led to the FN Dish and my current show on Food2. Similarly, my book came about because a literary agent happened upon my blog. The blog is a powerful calling card.

    How conscious are you (if at all) of the Amateur Gourmet as a brand and managing it as such? Do issues around increasing traffic and responding to the perceived needs of your readers enter into content decisions for the site?

    When I first started, I spent 0% of my time thinking about any of that. Now, since I’ve been doing it for five years, I do wonder if I should eventually transition from Amateur Gourmet to just my name (Adam Roberts, in case you forgot). But the brand works, I think, because it’s a very simple, straightforward premise: “this guy’s not an expert, so if he succeeds at something I can, too.” As far as studying traffic and responding to my reader’s needs, there’s no rhyme or reason to any of that. There’ve been times that I’ve done posts that I was sure would be a huge hits and they’ve fallen flat, and other times I shot a post out thoughtlessly and found the next day that it was linked all around the web. So I don’t worry about it anymore and just blog.

    As someone who has jumped off a traditional professional track (i.e., deciding not to practice law), what advice would you give young workers who dream about leaving their cubicles for more creative pastures?

    I like this question because it’s something I’m passionate about. People are very timid when it comes to following their dreams; I think the best advice I can give is to be brave. Take a chance. Risk failure. Most importantly: put yourself out there. There’s a quote I like by Kenneth Tynan that goes: “Talent apart, what enables one to exercise that talent is the ability to impose oneself.” If you want to be successful at anything, you’ve got to impose yourself.

    Has there been one specific Amateur Gourmet related moment that you would never have believed would actually have happened if someone had told you about when you were still a law student in Atlanta?

    Oh wow, there’ve been many. When I got hired to host The FN Dish last year, I found myself face to face interviewing Rachael Ray, Alton Brown and Bobby Flay all on my first day. It was surreal. Otherwise, getting invited to big-name events like Gourmet Magazine‘s parties, for example, is always mind-boggling. The crowning moment came at one such Gourmet party when I stumbled upon and met Sarah Moulton, whose show, Sarah’s Secrets, was the very first cooking show I ever watched and the thing that got me interested in food in the first place.

    And on a less serious note: Is a book deal the new standard by which one can be deemed to have made it as a blogger? How do you feel about the growth of this trend, i.e. for every Julie Powell, there seems to be a Look at this F*cking Hipster: the book?

    I think you have to judge it on a book-by-book basis. For example, my friend Molly Wizenberg’s book A Homemade Life, which came about because of her blog Orangette, is one of the most beautiful food books I’ve read about food and family and how they intersect. If blogging can produce a book like that, I think it’s ultimately a very good thing.

    Are you a Rogue Model? Do you know someone who is? We’re always interested in suggestions for future interviews.

  • Have A Goal

    What is the outcome or result you’re hoping to achieve? Do you want to get your point across at a staff meeting? Get a refund for a faulty coffee maker?  Be clear about what you want to get out of the situation and what will constitute success. In the beginning, simply voicing your opinion or making a given boundary clear to a single individual (hand off my butt, drunk guy on the dance floor) might be a sufficiently challenging target at which to aim, regardless of whether it yields the desired result. You can increase the magnitude of your goals as you become more comfortable speaking up.

    Which leads us to:

    Start Small

    Send a cold entrée back to the kitchen. Turn down a Friday night invitation without giving a long-winded apology. Shut down a telemarketer’s sales pitch within the first 10 seconds of picking up the phone. Write a letter to the editor of your local paper. Heck, begin with calling to make a dentist’s appointment or order a pizza if that’s the stage you’re starting from. Building assertiveness is an incremental process. Figure out where your comfort zone lies and keep pushing just an inch or two beyond it with every new opportunity to make your voice heard. No need for shock therapy*.

    Be Firm, But Polite

    If you want to be respected,  you not only have to act as if respect is your due, but you have to treat others with it as well. Asserting yourself doesn’t mean tramping all over someone else’s humanity. You can make your voice heard without silencing (or drowning out) others. To do so is a rookie mistake. Also, realize that you can only control your own behavior; the reaction  of others to your assertiveness is largely out of your hands. It’s a hard lesson to keep in mind in the heat of the moment, but even if you can only apply it to your post-hoc analysis of a given interaction, that’s much better than nothing.

    Be Persistent

    Once you stand up, refuse to let yourself sit back down. Keep mentally checking in with your own intuition about when you need to take a stand and keep identifying opportunities (both for practice and for specific results) to assert yourself.

    * I’d kill to make a Jeffery Sachs joke here, but I have a sneaking suspicion that I’d be the only one laughing.

  • I count myself lucky in that I’ve always had a good relationship with my mother. I never gave my parents any trouble growing up (unless being a chronic know-it-all counts) and she repays the favor by rarely nagging me about my career, when I’m going to get married, how I dress, etc. The most intrusive she gets is floating the notion once or twice a year that I should go to law school or recommending that I apply for jobs for which I’m wildly misqualified. There was also the time she suggested that I get my hair cut like Kate Gosselin’s, but I’m pretty sure that was meant as a joke.

    2615981495_1a266872aaPhoto by SarahR89

    Although we don’t look alike at all, I’ve inherited several of my mother’s hallmark features – the world’s tiniest bladder, an odd physical reaction that causes my eyes to water when I get stressed out (apparently, my grandfather suffered the same quirk) and most importantly, the ability to stand up for my own best interests and directly challenge those who would try to impinge on them. As I grow older, this is the legacy that I appreciate more and more (the bladder thing not so much).

    Young women are neither taught to develop nor trust their instincts when it comes to reading and reacting to people. Instead, we learn how to cultivate a positive (read likeable, desirable) impression, to diagnose why we’re not making such an impression and to tinker incessantly with our approach in order to achieve this end.  And we rarely consider whether or not the person(s) in question is remotely worthy of such an effort. We are not schooled in identifying our own best interests and being staunch guardians of them. We are taught to prioritize our hearts over our guts, to value propriety and to avoid making a scene. And sadly, as a sex, we police each other to ensure that we toe the line and mete out the punishment (rarely as overt as outright ostracism, but more the inculcating of a subtle sense of failure, of deviance, of being unlovable) for violating this code of conduct.

    If you look like a doormat and act like a doormat, it should come as no surprise that people walk all over you.

    We are taught to fear being bitches. Bitches are women who can’t make their way in the world according to the acceptable standards of female conduct ( old, ugly, angry, sexually undesirable), so they play dirty, they bully, they terrorize, they nag. Or so we’re told.  Behavior that doesn’t conform to the cult of winsome likeability is fair game to be tagged with the bitch label. And sadly, somewhere along the line, standing up for yourself, asserting your rights, your autonomy and setting the parameters for how you will be treated has been stealthily positioned under the bitch umbrella. We all want to be liked, but the false dichotomy between being liked and being respected is just that – false (ditto, the dichotomy between being smart and attractive or funny and feminine). We learn that you can be desirable or you can be respected, but you can’t have both. And since being desirable comes with better fringe benefits and being respected is just code for being a frigid bitch, well which one is any right-thinking good girl going to choose? This is gender policing at its finest and most erroneously obtuse. Respect is a good thing. Respect is something that is earned. And standing up for yourself is precisely what will lead to other people respecting you. We teach people how to treat us. If you wanted to be treated with courtesy, respect and kindness, you have to act as if you deserve and expect it. Conversely, if you look like a doormat and act like a doormat, it should come as no surprise that people walk all over you.

    I’ve learned this lesson multiple times in my professional life. I remember a particularly vivid incident that involved a yelling match with a coworker in the town square of picturesque Eastern European village. As the foreign interloper, I had tried to bite my tongue and to be as ingratiating as possible in service of making the all-important first impression, but as the trip dragged on, suppressing resentment at being talked at (not to), having my input dismissed and being stonewalled when it came to engaging the staff in any sort of cooperation just got to be too much. So I exploded. We went toe-to-toe, shouting each other down until another member of the party (a natural peacemaker) inserted himself into the scene and suggested we go have some tea and collect ourselves. The coworker and I avoided so much as eye contact for the rest of the day. But a funny thing happened the next morning. He greeted me at the door of the office with a big smile and a cup of coffee. I was in. By refusing to back down, to play the propriety game, I had demonstrated that I wasn’t intimidated by his bluster. And he liked that. And more importantly, he respected that. The rest of my business trip went dramatically more smoothly and every time I’ve crossed paths with this colleague (either at home or abroad) since, he and I greet each other as great old friends. I kid him about his self-importance, he tells me that I look like I need more sleep and we swap obscure music recs. This is but one (rather dramatic) example out of many. The truth is, I’m so used to living my life this way, that asserting myself and calling others on their BS has long since stopped registering as a novelty. But I do remember from time to time (usually when a particularly epic smackdown is warranted) to pick up the phone and thank my mother for imbuing me with both the capacity to assert myself and the understanding of the absolute necessity of doing so when it’s warranted. Whether it’s nature or nurture, I don’t care, but I’m profoundly grateful that I inherited this trait and that it has manifested itself comparatively early in my life.

    But even if such an approach doesn’t come naturally to you, as a woman, it is one of the single most important behaviors you can cultivate. It will be uncomfortable at first. It will feel counterintuitive and alienating. You will hold your breath as you wait for someone to slap you in the face with the bitch tag (let ’em;  the dread hurts more than the actual epithet), but the more you practice drawing these lines, the easier it becomes. Eventually it will be second nature and you will thank me for prodding you along this path. And I will pass along the props to my mother.

    Tune in tomorrow for concrete (and unisex!) tips on exactly how to go about asserting yourself.

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    Photo by Thomas Hawk

    “This is for you?”

    A voice behind me and I nearly jump three feet. A young Italian waiter holding a pizza box on his way through the connecting lobby between his ristorante, my hotel and the other pensione next door. I told him it wasn’t. He picked up on my accent and asked where I was from. I told him the truth, because I’m apparently too scrupulous to be Amy from Wisconsin.

    “And you are on holiday in Rome?”

    “Well, sort of.”

    “All alone?”

    “Yes.”

    This catches his attention. He reverses directions and makes a beeline for me. It’s almost cartoonish.

    “Give me your number. I call you. We’ll meet.” Deadly serious. I almost expect him to grab my hand and kiss it.

    I start laughing (because, well, who wouldn’t?). “I don’t have a number. I’m staying in the hotel.”

    “How long you are here?”

    “I leave tomorrow.”

    “Here, you take this. I work just here. You come by tonight. We meet.” Solemnly. He presses the pizzeria’s card into my hand with a charming smile.

    I giggle the whole way back to my room.

    While wacky adventures do tempt me, Mama didn’t raise no fool. I was flattered (and most likely all he wanted to do was have a drink or offer me a 15% off coupon for the shrimp scampi), but I’m not the throw caution to the wind type. Totally made my day, though.

    Take heed, fellas. Showing initiative might not score you a hook-up with a fair young foreigner, you do you earn  much respect (at least from this quarter) for having the chutzpah to put it out there and make the effort. Having your own calling cards certainly doesn’t hurt either.